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Free Jazz With Fred - on KAOS 89.3 OLYMPIA
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on monday nights i love Free Jazz with Fred. it's on KAOS radio, olympia's OG Kush freaky fried radio station broadcasting from The Evergreen STate College. the station's great, it's always hit or miss, sometimes downright terrible but it's all part of it. sometimes you turn on KAOS and they're playing First Voices Radio, which is indigenous news and views, pretty awesome, sometimes you turn on KAOS and they're playing the Melvins, sometimes it's some local folk band from 2002. well, sometimes it's monday night from 8pm to 11pm, and that's the best part cuz it's FREE JAZZ WITH FRED. what an amazing dj and an amazing show. special themes sometimes, sometimes fred hops on and gives a local anecdote about seeing anthony braxton up in seattle back in the day, sometimes he's delving into chick corea's discography, it's always great. you can listen to archived shows at the link above, or stream live on mondays from KAOS.org . some of my favorite drives around olympia in the volvo have been blasting Free Jazz with Fred. I think alex and abby introduced me to the show. we used to bbq on monday nights sometimes. best show on the airwaves.
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West Coast Fog - A Sea Of Sound Surrounds You
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West Coast Fog mixes!! my favorite right now. always pulling out new age music cd's and tapes from vancouver island, Newport Oregon, Death Valley, Colorado, lovely western vibes..so drippy. i like that on each show the host goes on a cross country ski ride in the mountains, or a hike, or goes swimming or is exploring some islands on a paddleboard, just kind of curating the show to the adventure. this one show hit pretty hard on my walk through some woods near my house last week. the butterfly track is my favorite. my friend anton introduced me to this program. blessings. ENERGY!
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Ornette Coleman - Free Jazz (Live 1978)
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i've been free-jamming in priest point park every week the last year with a group of comrades, people on saxophone, clarinet, synthetizer, guitar, keyboards, sitar, other weird instruments etc. we've maintained a pretty healthy distance from trying to achieve anything specific, in terms of coordinating the music compositionally, or in terms of publicly promoting it as an entity in the marketplace. one guiding light in this realm has been ornette coleman, totally open, exploring seriously but in a canal of freedom. the cacophony of ornette coleman's freer music really feels conversational between its members, but also in a modality of total expansion, collaborating with the universe, expanding outward. being in the flow of what wants to happen.
i've been into jazz for a couple decades now since junior high jazz band HA!, the coltranes, thelonious monk, miles davis etc. and the whole history of jazz is an incredible journey to delve into, that is also so political and inspiring. I feel like though, I haven't been ready for ornette coleman until recently. 'the shape of jazz to come', wait what? this album is incredible. anyways, ornette is just on another level, in terms of experimenting with polyphony, switching between different keys in the middle of sax runs, just so virtuosic at a kind of philosophical level more than even musical talent is concerned. and for me that's just where it's at, how can i stay away?
according to this book i read about him, he was pretty derided in his time, had beefs with a lot of New York hard bop people, though apparently leonard bernstein called him a genius and was one of the people trying to catch ornette's earlier shows in harlem. sounds contentious. i think people in the scene were jealous that he was down to get so far out and sound bad. also he was from dallas, so definite outsider. majorly relate!
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holly herndon - car
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i first met holly herndon in NY back in 2012, and her show was really above my head, she was playing really sparse heavy tones that were sweeping through a four way stereo system (two speakers in front R and L, two speakers in back, R and L.) totally immersive. coming from the wolf eyes / black dice experience of heavy electronic noise that was really visceral and punk in approach, i felt kind of less engaged with the movement toward everybody working with computers to make electronic music live, it just kind of felt less out-of-control than i wanted to experience music back then. but for some reason I just kind of kept following holly's music throughout the years and her approach is so special. this one is called CAR and i listened to it for the first time while doing the dishes. it's so heavy!
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